Feminist Literary Criticism and the Reinterpretation of Canonical Texts

Abstract

Feminist literary criticism has emerged as one of the most influential approaches in contemporary literary studies, challenging traditional interpretations of literature and questioning the patriarchal assumptions embedded within canonical texts. For centuries, literary canons were largely shaped by male authors, critics, and institutions that often marginalized or misrepresented women’s experiences. Feminist critics have sought to reexamine these texts in order to reveal the gender biases, silenced voices, and ideological structures that shaped their production and reception. By applying feminist perspectives, scholars reinterpret canonical works to uncover alternative meanings and highlight the representation of women in literature. This research paper examines the development of feminist literary criticism and its role in reinterpreting canonical texts within the broader framework of literary theory. The study discusses the contributions of influential thinkers such as Simone de Beauvoir, Elaine Showalter, Kate Millett, and Virginia Woolf. It also explores how feminist criticism has reshaped interpretations of major literary works written by authors such as William Shakespeare and Jane Austen. The paper argues that feminist literary criticism not only reveals the gendered nature of literary traditions but also expands the scope of literary interpretation by foregrounding women’s perspectives and experiences. Ultimately, the study demonstrates that feminist reinterpretation of canonical texts contributes to a more inclusive and critical understanding of literature and cultural history.